When I rewatched Mira Nair’s Monsoon Wedding at 25

Nature and nurture collide to narrate a breathtaking tale of survival: Reviewing Chris Sanders’ The Wild Robot

Women in an Unforgiving World– Exploring Body Horror and Identity in Coralie Fargeat’s The Substance

A Cinematic Exploration of Loneliness and Loss: Wong Kar-Wai's Chungking Express

The Railway Men- The Saga Of Some People Not Losing Humanity In The Face Of Disaster 

Analyzing Michael Haneke's The Piano Teacher through the lens of psychoanalysis

Make it like Wes Anderson

Women Talking: Rethinking Our Discourse on Sexual Violence

Delving Deeper: A Call for Nuanced Film Criticism

The Metaphor of The Banshees of Inisherin: Exploring the Irish History Through Fractured Friendship

The Language of Film Adaptation: Anna Karenina

Everything Everywhere All At Once subverts the notions of reality and identity

A Time For Drunken Horses and The Politics of Violence, or the Philosophy of 'Anti-Education'

What Does Satyajit Ray’s Pather Panchali tell us about Visual Poetry in Cinema?

Changing the Dynamics of ‘War Cinema’ using ‘Conflict’ as the Lens

The Boy in the Striped Pyjamas - Beyond the Fence

The Privilege of Love, Rituparno Ghosh’s Chitrangada

Portrait of a Lady on Fire, An 18th Century Art in Motion