The Children Paint Me Hawaiian blue/ The Distance Makes It Possible
The quaint temple ghats of mid-north
are not ankle-bound by long chains –
their red-tiled toes, ever dipped in
the silken rolling waters
with little beauty and much waiting,
jabby strokes of silt on waste bands
and zig-zaggy winnow of elf-fire
through the spongy bamboo poles
– lonely legs of a virgin noontide; I am
the mainstay for the children’s portrait lesson.
The cerulean polyester of my sweatshirt
stark against the lipsy purple of Keora leaves
behind me, they have already failed
to capture, in whatever irregular red
they have blotched on the paper directly
from the paint tube, the chagrin
that hasn’t stopped gnawing at its black bark
ever since the tree shot up and bent right mid-way
after a blow from the trass-born eaves
around the colonnade
the light on the face of my portrait-self
seems to be falling out of a sun
trapped inside a jar of pickled,
off-season jujube –
three of them are peeping hard
at the incompleteness of their dozy subject,
my blue - too local, too sunken;
so they flatten the harshness with some water
then the absent river floods in
and suddenly I am the blue sky of Hawaii.
They are tiny islands drifting away –
desperate for grounding water
Half of me is a matt black sea,
my crossed arms: waves on a kite.
Outside, a moorhen’s trill
startles them – their v-shaped birds, shaky
like the scabs from when the moon
first crawled under my skin.


