Girlhood in Delhi
Delhi is a city that wears its hunger well—
a neon beast swallowing bodies whole.
I walk through its streets,
hips choreographed to shrink,
voice rehearsed into a lower register,
practicing the art of passing,
as if my body were a faulty translation
in a language I did not choose.
Delhi is a city that loves its own reflection.
It does not stop to look at girls like me—
girls with borrowed voices and cautious lips,
girls who walk like they are both the prayer and the sin.
Delhi does not ask where I come from.
It does not care about
who once prayed for softer shoulders,
a different voice,
a body that didn’t feel like an apology.
It only asks if I can survive.
if I can wear my face like a war cry.
Some days, I surrender inside myself,
folding my shoulders inward,
as if I could disappear into the shape
they always wanted me to be.
My mother does not say my name,
but sometimes, in the quiet,
she calls me shona
There are nights I trace my own name in the dark,
as if speaking it softly will make it real.
There are mornings I look in the mirror
and do not flinch.
and take up space like I have a right to.
Maybe love is not a man’s voice in the dark,
not a reflection that always agrees with me.
Maybe love is the act of staying—
inside this body, inside this name, inside this life
I built with my own hands.
There are days I walk into love like I belong there.
Like I belong in the sun.
And maybe, just maybe,
That is enough for now.
a neon beast swallowing bodies whole.
I walk through its streets,
hips choreographed to shrink,
voice rehearsed into a lower register,
practicing the art of passing,
as if my body were a faulty translation
in a language I did not choose.
Delhi is a city that loves its own reflection.
It does not stop to look at girls like me—
girls with borrowed voices and cautious lips,
girls who walk like they are both the prayer and the sin.
Delhi does not ask where I come from.
It does not care about
who once prayed for softer shoulders,
a different voice,
a body that didn’t feel like an apology.
It only asks if I can survive.
if I can wear my face like a war cry.
Some days, I surrender inside myself,
folding my shoulders inward,
as if I could disappear into the shape
they always wanted me to be.
My mother does not say my name,
but sometimes, in the quiet,
she calls me shona
There are nights I trace my own name in the dark,
as if speaking it softly will make it real.
There are mornings I look in the mirror
and do not flinch.
and take up space like I have a right to.
Maybe love is not a man’s voice in the dark,
not a reflection that always agrees with me.
Maybe love is the act of staying—
inside this body, inside this name, inside this life
I built with my own hands.
There are days I walk into love like I belong there.
Like I belong in the sun.
And maybe, just maybe,
That is enough for now.


